Showing 101 items matching cross stone
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The Beechworth Burke Museum
Geological specimen - Chiastolite
... cross stone... in cross shapes. These ‘cross stones’ have been valued and used... interfaces and can result in cross shapes. These ‘cross stones’ have ...It is made up of andalusite. Andalusite is a rock-forming mineral, sometimes found in granite or schist. It is often used to make glass, ceramic products, chemicals, and heat-resistant bricks as it can withstand high temperatures without changing. The chiastolite contains particles of graphite, which arranges in geometric patterns. When crystal growth occurs in the rock, the granite particles concentrate at crystal interfaces and can result in cross shapes. These ‘cross stones’ have been valued and used for their spiritual or religious meaning and used as charms, gems, or amulets. Chiastolite was first discovered in 1754, seen in a description in a published book by a palaeontologist, Franciscan priest, and Spanish author, Jose Torrubia. Deposits have been found in Australia, France, the USA, Chile, Canada, Spain, Brazil, Sri Lanka, and Russia. Deposits have been found in Western Australia and South Australia. This particular specimen was found in Bimbowrie, South Australia. Other chiastolite specimens have been found in Bimbowrie, along with jasper, quartz, and aventurine in the form of rolled pebbles or schist. This chiastolite specimen is socially and historically significant. It is a very rare sort of andalusite mineral. It is from one of only two locations where it is regularly found in Australia. The carbon cross has made it an important religious symbol in the past. Its ability to withstand high temperatures has made it a common ingredient in heat-resistant bricks and ceramics today. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A metamorphic mineral consisting of andalusite, with a cross shaped graphite pattern in colours of grey, brown and yellowburke museum, beechworth, geological, geological specimen, andalusite, chiastolite, geometric, cross stone, spiritual, religious, australia, south australia, bimbowrie, quartz, jasper, aventurine, schist -
Wangaratta RSL Sub Branch
Booklet
... black and white booklet with picture of a large cross stone... with picture of a large cross stone monument. Imperial War Graves ...Imperial War Graves Commission booklet with enclosed covering letter distributed to the next of kin of deceased Australian Servicemen who are buried in war cemeteries.black and white booklet with picture of a large cross stone monument.imperial war grave commission, war cemeteries -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Memorial, 1989 copy
... comrades - iron cross mounted on stone base. Trees in background.... and white photograph. Memorial to fallen comrades - iron cross ...Copy of original black and white photograph of monument built by "Kormoran" survivors in grounds of Camp 13.Copy of black and white photograph. Memorial to fallen comrades - iron cross mounted on stone base. Trees in background.camp 13, murchison victoria, internment camps, internment camp buildings, kormoran, monuments -
Clunes Museum
Photograph
... , WITH STONE CROSS IN FOREGROUND. REV. FRANK GIRDLER STANDING IN FRONT..., WITH STONE CROSS IN FOREGROUND. REV. FRANK GIRDLER STANDING IN FRONT ...FRANK GIRDLER WAS VICAR OF ST. PAUL'S FROM 1928 - 1933SMALL PHOTOGRAPH OF ST. PAUL'S ANGLICAN CHURCH, CLUNES, WITH STONE CROSS IN FOREGROUND. REV. FRANK GIRDLER STANDING IN FRONT OF THE CHURCH.st pauls anglican church, frank girdler -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, German Eagle on stone, 1989 copy
... surmounting iron cross set in stone work. Garden beds on both sides... Tatura the-murray Photograph - copy German Eagle on stone Copy ...Copy of original black and white photograph of memorial to German POW's erected in grounds of Camp 13.Copy of black and white photograph. German eagle surmounting iron cross set in stone work. Garden beds on both sides. Tree and hut in background.camp 13, murchison victoria, internment camps, german pow's, interment camp memorials -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Memorial, 1941
... . The German iron cross atop Waranga Basin stone. Built by German POW's... cross atop Waranga Basin stone. Built by German POW's. Kormoran ...Camp 13 memorial to Kormoran crew.Black and white photograph of the memorial at Camp 13. The German iron cross atop Waranga Basin stone. Built by German POW's. Kormoran memorial.camp 13, kormoran crew memorial -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Crew
... German cross on a stone plymth. A sign is being held by the 5th.... Between the hut and the men is a large German cross on a stone ...Some of the H S K Kormoran crew were house in camp 13. The German cross is a memorial to their fallen comrades.Black and white photograph of 10 men standing and 10 men seated in front of a hut. Between the hut and the men is a large German cross on a stone plymth. A sign is being held by the 5th and 6th men from the left.Sign: Lager Hortebeker 1942 H S A Kormoranh s k kormoran, camp 13, german memorial, erich falk -
Tatura Irrigation & Wartime Camps Museum
Photograph, Decker and Stuerzenhofecker Graves, 1989 copied
... Black and white photo of grave sites. Two grave stone... stone crosses with the words "J. Decker" on one and "H ...This is believed to be the Stuerzenhofecker family who lived in Camp 3. This family lost 2 children whilst in the camp. The first accident occurred when their 2 year old boy, Hartmann (born 11 November 1944), was accidentally run over and killed by an Army truck on the 24 October 1946.A month later their 14 month old daughter, Heimtraut (born 19 September 1945), died of smoke inhalation in a hut fire on the 17 November 1946.Black and white photo of grave sites. Two grave stone crosses with the words "J. Decker" on one and "H. Stuerzenhofecker" on the other. 3 children, 2 girls and a boy are standing in front of a man and woman. All are standing at the head of the graves.J. Decker H. Stuerzenhofeckerdecker, stuerzenhofecker, internment camp 3, internment camp graves -
Federation University Historical Collection
Postcard - photographic, The Cross, Salisbury, c1918
The Poultry Cross is a market cross in Salisbury, Wiltshire, marking the site of former markets. It was built in the 14th century and modified in the 18th century. It stands at the junction of Silver Street and Minster Street. The Poultry Cross is the only one remaining of four market crosses that once existed in Salisbury. The presence of a market cross on the Poultry Cross site dates to 1307 and the name to about a century later. The present stone structure was built in the late 15th century. The original flying buttresses were removed in 1711, as can be seen in the painting of 1800 by JMW Turner; the present buttresses date from 1852–4, when the upper parts of the cross were rebuilt to the designs of the architect Owen Browne Carter.Black and white postcard of the architectural feature known Poultry Cross Salisbury, and the street around it. chatham-holmes family collection, poutry cross, salisbury, henry smerdon holmes -
Bunjil Park Aboriginal Education & Cultural Centre
stone axehead
This stone was held by a European family for 200 years and was found on the family farm. It was gifted to Uncle Brien Nelson in Castlemaine. This implement could be many thousands of years old. This unusually large axe head would not have been carried from place to place and was probably hidden for occasional use crafting large objects.This stone axe head is shaped to a sharpened rounded edge at one end and is broad and blunt at the other end. It is an elongated teardrop shape in cross section. It has a distinctive waist in the middle where the haft was attached using hide and or fibre.This axe displays grooves caused by a disk plough.jaara, heavy stone axe head -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Post WW1
These graves are on Shell Green Gallipoli Peninsula with ALBERT HERBERT MULLER No 448 4th L.H.Regt AIF grave 3rd from the left. Refer 2077 for service details of him & his 2 brothers. Portrait of him refer 1975P.Black & white graveyard photo. Crosses on the side on a hill with rocks edging the graves. Wooden veneer brown mount & wooden frame with gold coloured edging inside wooden frame. Back is paper, wood, stapled & cellotaped.photography-photographs, frame accessories, memorials-grave stones, muller, -
Kiewa Valley Historical Society
Photograph - Building of Myrtleford Ski Club
Myrtleford Ski Club is a non-commercial, family friendly club. It was one of the earliest lodges to be built at Falls Creek and was one of the earliest ski clubs formed and celebrated its 75th anniversary in 2013. In 1949, Myrtleford Ski Club obtained permission for occupancy and began planning the MSC Lodge. There were only three other huts on the mountain, Bogong Ski Club in an old Army hut, Skyline as the Ski Club of Victoria lodge and the Albury Ski Club lodge. The lodge was built mostly from donated materials. The basement was dug out and lined with stone from the Ruined Castle area, timber was cut (using cross-saws) from the Walpole properties and was milled then carted up to Falls Creek on either the Walpole or Calvert trucks. The iron on the roof was originally a tobacco kiln on Billy McNamara's property. The lodge has undergone many improvements over the years including a second storey added in the 1950’s, updating of accommodation, shower and toilet facilities to meet the changing needs of members. The lodge now caters for 38 people in a variety of shared rooms from two to eight beds per room. Toilet and shower facilities are also shared. The club has a Lodge Managers for the winter season. Myrtleford Ski Lodge was one of the earliest ski lodges built in the Falls Creek area in 1938. It is an excellent example of early sporting and community activities in the Upper Kiewa Valley area. Photograph shows family members, including women, involved in the construction.Sepia photograph of the building of the Myrtleford Ski Club about 1948Handwritten on the back of photograph in black pen - Building Myrtleford Ski Club (about 1948) Stamped on back of photograph - 6 2511myrtleford ski club, skiing, snow sports, victorian alps, falls creek -
Warrnambool and District Historical Society Inc.
Photograph - South Warrnambool State School Photograph, framed, Circa 1916
Warrnambool South Primary School was opened in 1877. The first teacher was Mrs Eliza Clarke. Many of the trades of the early parents were occupations such as tanners, saddlers, wharf labourers and fishermen. The school celebrated its centenary in 1977 and was decommissioned around the 1990’s. There are four McDonald children identified towards the RHS of the picture. The South Warrnambool school was part of a close knit community. This photo shows a very good cross section of many of the South Warrnambool families at that time. Little Alma Mc Donald 3rd from right in front row was born in 1910. Black and white photograph showing approximately 80 children and three teachers, standing in rows outside stone building. Cinnamon coloured mount. State School No 1902.warrnambool, south warrnambool primary school, mcdonald, ferrier, tinker, pickett, holmes, eliza clarke, dridan -
Tennis Australia
Pin, Circa 1980
Gold-plated pin in shape of crossed racquets, studded with clear stones/glass, and green stone representing ball. Materials: Metal composite, Glasstennis -
Federation University Art Collection
Painting - Watercolour, Mitchell, John, [Scottish Scene], 1981
John MITCHELL (1837 - 14 July 1926) Born Woodside, Donside, Scotland John Mitchell attended evening classes under James Giles in Aberdeen, and was also taught by his uncle the Peterhead artist John Mitchell. After an apprenticeship at a local lithographic company (Keith and Gibb) John Mitchell went to London to study at the Slade under Legros. Returning to Aberdeen he painted many scenes around the city and Aberdeenshire, including Balmoral, under the patronage of Queen Victoria. John Mitchell gave lessons in painting to the Royal Family. His landscapes are highly coloured with dominant blues and purples in the hills and with vivid greens and yellows in the foreground, subtly fused and never garish. He lithographed sketches for John Stewart's 'The Sculptured Stones of Scotland', 2 vols 1856-57, illustrated 'Under Lochnagar' 1894. His landscapes of Aberdeenshire are highly prized especially in the area in which he lived. His painting in the Mearns is regarded by some as his best work. In 1875 he painted an interior of Culter Castle and its Chapel which was subsequently purchased by the owner and in 1883 showed a portrait of his mother. Lived latterly at 10 Gladstone Place, Queen's Cross, Aberdeen. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a creek in Scotland.art, artwork, art, artwork, john mitchell, mitchell, scotland, scottish -
Federation University Art Collection
Painting - Watercolour, Mitchell, John, [Scottish Scene] by John Mitchell
John MITCHELL (1837 - 14 July 1926) Born Woodside, Donside, Scotland John Mitchell attended evening classes under James Giles in Aberdeen, and was also taught by his uncle the Peterhead artist John Mitchell. After an apprenticeship at a local lithographic company (Keith and Gibb) John Mitchell went to London to study at the Slade under Legros. Returning to Aberdeen he painted many scenes around the city and Aberdeenshire, including Balmoral, under the patronage of Queen Victoria. John Mitchell gave lessons in painting to the Royal Family. His landscapes are highly coloured with dominant blues and purples in the hills and with vivid greens and yellows in the foreground, subtly fused and never garish. He lithographed sketches for John Stewart's 'The Sculptured Stones of Scotland', 2 vols 1856-57, illustrated 'Under Lochnagar' 1894. His landscapes of Aberdeenshire are highly prized especially in the area in which he lived. His painting in the Mearns is regarded by some as his best work. In 1875 he painted an interior of Culter Castle and its Chapel which was subsequently purchased by the owner and in 1883 showed a portrait of his mother. Lived latterly at 10 Gladstone Place, Queen's Cross, Aberdeen. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a Scottish Scene by John Mitchellart, artwork, john mitchell, mitchell, scotland, scottish, art, artwork, john mitchell, mitchell, scotland, scottish -
Myrtleford RSL
21St Battalion A.I.F. Stone
Stone from Abbey ruins at Mont St. Quentin, captured by the 21st Battalion A.I.F. on 1st Sept. 1918 & presented to the Myrtleford Sub-Branch by the Twenty-First Battalion Association, 20th November, 1971.The Stone is from the Abbey at Mont St. Quentin, captured by the 21st Battalion, 2nd Division A.I.F., on the 1st Sept. 1918. A Battle described by General Sir Henry Rawlinson, Commander, British Fourth Army as "The finest single feat of the War". During this Battle Sergeant "Alby" Lowerson, from Myrtleford was awarded the Victoria Cross for leading several men to capture a group of enemy machine guns that were holding up the advance. The Stone was presented in 1971 by members of the 21st Battalion Association, (named on the reverse side) to Myrtleford Sub-Branch R.S.L. Stone mounted on wooden board.Board inscribed with details of the mounted stone, with the names of those present on the reverse.world war 1, ww1, 21st battalion aif, 2nd australian division, western front, mont st quentin, sgt. a.d. lowerson v.c., myrtleford rsl -
Tatura Irrigation & Wartime Camps Museum
Photograph
German memorial WW2 POW camp TaturaBlack and white photo engraved stone and brick construction, with sculptured eagle. Hut in background surrounded by garden beds. German inscription, cross and stars.internment camps, pow's, camp 3 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Memorial
Memorial erected at Murchison Camp 13 for the crew of the German Auxiliary Cruiser Kormoran who lost their lives in battle with HMAS Sydney. Erected by survivors.HistoricColour photograph of the Kormoran memorial, made from stone. The memorial is a rectangular block with a smaller block on top. On the top block, on the front, is an German iron cross. One the front of the bigger block is a plaque with German writing "Unferen gefallenen Kameraden". Blocks sit on a plymth of stone. White gravel surrounds three sides with a path leading up to it. Monument has posts surrounding it with wire in between. Backdrop is trees. "Unferen gefallenen Kameraden" murchison camp 12, kormoran, german auxiliary cruiser kormoran, kormoran deceased, kormoran survivors, kormoran memorial -
Jewish Museum of Australia
Kathryn Tilley, Afikoman pouches, by Kathryn Tilley, 2007
Artist's statement: I chose to make these afikoman pouches even though they may not be familiar to or used by all Jewish families. In these little pouches, a small piece of matzah would be placed in the pouch and then hidden in the house for the children to find during the Passover meal. On finding it, a gift is given. The story of Passover and Judaism in general have been kept alive over the centuries. I wanted to honour the passing down of the Torah through the generations, and, in particular, the role of children in its transmission. I have used the Australian desert as a metaphor for the great wilderness crossed by the People of Israel. A recent trip to Broken Hill and beyond inspired me to work with the subtle colours and textures of that landscape and I have incorporated into the work found objects, stones and beads collected there. (2007, New Under the Sun: Australian Contemporary Design in Jewish Ceremony III)machine embroidered -
Ballarat and District Irish Association
Photograph - digital, Shane Dunne, St Mary's Catholic Church Clarendon, 2014
St Mary's Clarendon was dedicated on 09 November 1871. In 2014 it is part of St Alipius Parish, Ballarat East. "OPENING OF THE NEW CHURCH AT CLARENDON. On Thursday, November 9th, his Lordship the Bishop, accompanied by the various clergymen who assisted at the Mission, left Ballarat early in the morning, and proceeded through Buninyong to open the new church recently erected by the untiring exertions and liberality of the Catholics of Clarendon, and dedicated to the Blessed Virgin under the title of 'Auxilium Christianorum.' The church, which is composed of stone, with Lal Lal white brick facings, is 43 feet long by 20 feet wide, including a nice chancel, and has cost up to the present about £500. As the Bishop was approaching the locality, a large number of horsemen met and escorted, him to the church, arriving at 11 o'clock. Here also were a large number of children, 192, prepared for Confirmation, who were similarly attired as candidates in Ballarat. A procession, headed by the cross bearer and acolytes, was formed of the children and moved round the church, followed by the clergymen and the Bishop, who sprinkled the edifice with holy water. The building having been blessed and consecrated, High Mass, coram episcopo, was celebrated by the Very Rev. Dean Moore, the Rev. T. O'Donnell acting as deacon, Rev. M. J. Shanahan, as sub-deacon, and Rev. J. D. O' Sullivan, as master of ceremonies. After the Communion the Rev. J. D. O'Sullivan preached an impressive sermon on devotion to the Blessed Virgin. The collection amounted to about £40.9." (freeman's Journal, 25 November 1871)Six colour photographs of exterior and interior views of St Mary's Clarendon. st mary's clarendon, clarendon, st mary's, catholic -
Port Fairy Historical Society Museum and Archives
Photograph
St. Patrick’s Roman Catholic Church Built 1859-1867 Foundation stone laid in July 1857, money being raised be subscription and a government grant. Charles Hansom was the Architect, Nathaniel Billing Engineer. Chancel and sacristy were added in 1867, stained glass windows added in 1868. This looks to be a very early photo of the church.Black and white photograph of Large bluestone church with tower with crosses on gable ends and 3 panel arched windowschurch, sunday-school, building, catholic, st patrick's, princes highway -
Lake Bolac & District Historical Society
Black and white photograph, Car-races at Lake Bolac
Racing cars parked outside the blue-stone Public house at the cross-roads, Lake Bolac. Local spectators have gathered to admire and learn.lake bolac, car racing -
Uniting Church Archives - Synod of Victoria
Plaque - Stone plaque
Sergeant John Arthur Ahern of the 70 Operational Training RAF died at the age of 20 in an non-operational cross-country exercise in Kenya.Stone plaque with blue, green, brown, black, yellow and gold mosaic design and text. The plaque has the RAAF insignia above the text and holes drilled in each corner.'IN MEMORY OF OUR LOVED SON AND BROTHER JOHN ARTHUR AHERN, R.A.A.F. KILLED BRITISH EAST AFRICA 23RD APRIL 1942 WELL DONE GOOD AND FAITHFUL SERVANT"world war 1939-1945, sergeant john arthur ahern r.a.a.f. -
Flagstaff Hill Maritime Museum and Village
Tool - Compass Saw, Mid to late 20th Century
A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone.The subject item is believed to date from around the mid to late 20th century and is regarded as a modern item. The maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture. Compass saw blade with wooden handle attached with wingnut.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood cutting, wood saw, cross cut saw, cabinet makers tools, wood working tools, tool -
Flagstaff Hill Maritime Museum and Village
Tool - Saw, Mid 20th Century
A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone.The subject item is believed to date from around the mid to late 20th century and is regarded as a modern item. The maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture. Compass saw blade with wooden with open handle blade attached with wingnut lever at side to adjust long narrow blade Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood cutting, wood saw, cross cut saw, cabinet makers tools, wood working tools, tool -
Flagstaff Hill Maritime Museum and Village
Tool - Compass Saw, Mid to late 20th Century
A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone.The subject item is believed to date from around the mid to late 20th century and is regarded as a modern item. The maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture.Compass saw with wooden handle and metal blade. Small teeth. flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood cutting, wood saw, cross cut saw, cabinet makers tools, wood working tools, tool, compass saw -
Flagstaff Hill Maritime Museum and Village
Tool - Compass Saw, Mid to late 20th Century
A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone.The subject item is believed to date from around the mid to late 20th century and is regarded as a modern item. The maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture. Compass saw with wooden handle broken and metal blade. Small teeth.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood cutting, wood saw, cross cut saw, cabinet makers tools, wood working tools, tool, compass saw -
Warrnambool and District Historical Society Inc.
Ink Well, Pen & Ink set, clear glass & black tray
Pen and ink sets were common household and business items in the 19th century and up to the mid 20th century (prior to the introduction of ballpoint pens). They would have been placed on a writing desk or table. The items here are attractive ones and would have been a relatively expensive purchase.These items are connected to the Toleman family from Warrnambool and may have been used by the donor’s father who was an accountant. These are four items:- .1 An oblong glass dish, partly rounded at the ends and with a criss-cross pattern on the base. Inside the dish, towards the ends, are two ridges for holding four pens or pencils. .2 An oblong polished black stone tray with a curved front and a ridge for holding a pen. On the oblong section are two square metal bases with four side clips on each to hold the inkwells. These metal pieces are attached to the black tray with metal screws. .3 & .4 Two glass (crystal?) cubes with a hollow inside for holding ink. The tops of the cubes are metal with circular openings. The lids are metal with metal hinges and polished black stone topshistory of warrnambool, writing implements and associated items, household items from the past -
Warrnambool and District Historical Society Inc.
Magazine - Project, Warrnambool: sandstone era of the eighties, 1973
Geographically situated on the coast Warrnambool has large tracts of sedimentary rock, some of which is sandstone. It therefore was a readily available material and as a relatively soft stone it was easily quarried and cut. By the 1880’s Warrnambool had been established for around forty years and was proving to be a settlement of some wealth. Hence the trend to build bigger and grander homes. There are numerous other commercial buildings which are built in sandstone and many of the original quarries are still visible around the Warrnambool area. Most of the properties are situated in the central part of Warrnambool. This collection of photographs is a good cross-section of some of the significant homes and buildings of Warrnambool. It also shows how they look 100 years after being built.A collection of 18 black and white photographs of sandstone houses, mounted on card and tied loosely with string. The addresses of each house are hand-written in black pen beside each photo. Title is written in black pen on cover page.Graeme Blake 1973 in bottom RH corner, Via * Fraser & Chris How in blue pencil.warrnambool, sandstone, sandstone houses, 1880 warrnambool